Of Formalities...

Today I had an odd experience while buying some snacks at my university's commons area. I noticed while standing in line that the cashier who was checking people's items out kept calling her customers by name. I've seen this done before, mostly at a particular grocery store back home, but I never quite took to it. I dreaded the moment I got up to the line, knowing darn well that since I was paying with a debit card that she could steal a glance at my name on the card, and then proceed to mention it as I parted ways. I was not wrong in my assumption, and to be perfectly honest, it put a huge damper on the whole transaction.

In a perfect world, though, such niceties would be appreciated. We obviously live in an increasingly cynical world where people rarely make any sort of contact with one another on a regular basis, so wouldn't such a gesture indicate a glimmer of hope? Well, in this blogger's opinion, no. I'm all for being courteous at the checkout counter. I usually say "Hi" as I approach, and then when I leave, I usually respond to the cashier's "Have a good day" with an equally as sincere "You too." I'm completely comfortable with this sort of communication between the helper and the helped. I feel like the girl who checked me out (what a phrase) wasn't even remotely sincere in her declaration. Saying my name isn't going to keep me from buying my salted cashews and Snicker's bars elsewhere. Considering the gigantic monopoly my school has on food while I'm at work (as in, I can really only buy my break items there, so I really have no choice), I guarantee I'll be back to buy more junk food items.

I don't know. I sound jaded. My roommate will certainly tell you that I'm a curmudgeon for loving the notion of the "Metro Face" (the face that most Parisians carry about their person when riding on the Parisian subway system, or Le Métro, which is usually a look of deep Parisian melancholy, with eyes full of longing...It's actually very cool), because I've never been big on being conversational with strangers. He loves it, but that's a conversation for another time. I need to do a bit of research on this topic to really ascertain how others feel about it. I just found it creepy, plain and simple. As nice a thing she might have believed it to be, it really turned into something unbearable. I dreaded our transaction, because I knew it would involve a level of insincerity that I can barely handle.

Small talk has always been a beef of mine, which is why Metro Face is so entertaining for me. Small talk reeks of insincerity. We do it simply because social conventions require us to never let a silent moment pass between two people confined to a certain space. I can agree that awkward silences are just what they claim to be -- awkward, but that's no excuse for the fact that sometimes, we just don't need to connect. I've stated in previous posts just how much I love big cities, and the connection that is palpable, especially when riding on the local transit. Even when all of our faces are clearly in Metro Face mode, there is something going on that is unspoken, but is clearly at work between each and every person on that bus/subway/trolley. There's no need to speak, and the loud noises that whichever mode you are currently riding makes certainly don't allow for easy conversation. We are apart of a larger whole, and we get that, and its a beautiful thing. Why must we feign interest in someone else's existence in order to make ourselves feel better about a certain silence that really shouldn't bother anyone? It just feels ludicrous to me. I love talking to people. Anyone who knows me knows that I love to talk anyone's ear off who will listen, but I draw the line at strangers, especially strangers in passing.

I don't think I'm totally right on this matter. My roommate is perfectly happy talking to random people, and he loves having random people talking to him. I'm pretty convinced that he would love to have someone say his name at the checkout counter. Feel what you will, but I just might snap the next time I hear someone say my name while scanning food. But, not in a crazy way... I just might write another post... Heaven forbid...

The Life of Pi

Today while driving with one of my housemates, I noticed that he had a copy of Yann Martel's (il est un québecois!) The Life of Pi. He told me to read it, because the very thought of it (the book's story) bored him to tears, so I gladly took it. Its actually not his copy, but some girl he knows' copy. So, I'm borrowing it from someone else who's borrowing it from someone else...
In any case, I'm stoked to finally read it, as I've heard its nothing short of fantastic. I like what I've read so far, so maybe I'll keep whoever reads this posted, so they too may venture into this world.

John August

Writers and those who love writers take note:
A freakin' rad website has come to my attention... www.johnaugust.com

It's written almost daily by a produced screenwriter appropriately named John August, whose works include Go, Charlie and the Chocolate Factory, Big Fish, Corpse Bride and a few more less than reputable films (but, hey, he's doin' better than I am). His most recent film The Nines, was a selection at Sundance, where it earned raves and also distribution. He wrote and directed that one, in case you care....

What I dig most about the site is his insight into not only the business of screenwriting, but the craft as well. Film students should take notes on his "How to Write a Scene" entry, and especially his "How to Write Dialogue." I'm just fascinated by his techniques, and equally as heartened to realize that he too struggled and continues to fine tune his craft. It's healthy to realize we may never be exceptional, but it's important to note that we can always at least try.
So, visit said website, if you have any interest at all in the craft of screenwriting (and yes, my dear naysayers, it is a craft, and it is one that does have to be fine tuned...)

Snarky comments aside, its a fun read for all who care to venture in that direction. Audiences should check it out to maybe get a better sense as to why we as writers try so desperately to surprise you, and for the most part, you deny us that with your reliance upon cliché. Get a glimpse into our process, and maybe you'll better appreciate how much we actually do care about what you think...

Enjoy!

John August